As a genre, sci-fi is par excellence concerned with culture. What would it be like to visit an alien world? How would its inhabitants operate, and how would they differ from us?
In a way it’s a kind of theoretical anthropology. Think of Ursula Le Guin’s inquiry into a culture of hermaphrodites in The Left Hand of Darkness, or of Iain M. Banks’s series of novels in which he explores the political permutations of a culture that has abolished scarcity – a culture provocatively named ‘the Culture’. Continue reading The Four Cultures of Science Fiction


