Tilt shift: When what you see isn’t what you get

Doesn’t tilt shift photography (or the fake photoshop version) look good? Having seen some of these shots it’s hard not to look at the world in a slightly different way.

Reminds me of Patrick Heron’s claim that art doesn’t reflect what we see but rather dictates what we see. In the case of tilt shift, we thought model villages and railways looked that way because they were models and not the real thing. Tilt shift shows something different is happening: we can now make the real thing look just like a model if we wish.

“I have always claimed that painting’s prime function is to dictate what the world looks like … What we imagine to be the ‘objective’ look of everything and anything is largely a complex, a weave of textures, forms and colours which we have learned, more or less unconsciously, from painting, and have superimposed upon external reality. The actual ‘objective’ appearance of things (of anything and everything) is something that does not exist…”
Patrick Heron, 1996 “Solid Space in Cézanne”, Modern Painters Vol 9 (1).

There’s more at Smashing Magazine.

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